I have just listened to every CD on this set one by one. Even though I have been playing this kind of music since the 1960s, even though I have had this or that single disc Carter Collection, even though I am judged as some kind of expert on old time music by some, I was shocked at how many tunes that I know as old time music tunes or bluegrass tunes identified with other artists were Carter Family versions of those tunes.

The Carters performed an immense service for the history and preservation of traditional American music, black and white.
They were not allowed to record already copywritten and published songs since Ralph Peer who recorded them for Victor Bluebird only got paid for publishing rights and could take only tunes he could claim publishing rights to. At the beginning the Carters were not such great song writers, although in the later 1930s when they began living in Del Rio Texas and broadcasting over Mexican border radio, they did write a number of great songs.

AP Carter traveled up and down the hills and hollers, mountains and valleys of Southern Virginia, Tennesee, North Carolina, and Kentucky asking Black and white working people, farmers, musicianers of all kinds, if they had songs for them to record. During the times late in the years covered by this set, when AP moved to Detroit to get cash paying work, and when his brother Eck and his wife Maybelle moved to DC where Eck got railroad work, they asked Southern people in those towns for songs.

During much of this time AP travelled with Leslie Riddle a black blues guitarist so that they were able to find songs African Americans as well as whites had in their hearts and minds. The Carters accepted Leslie as an equal. He lived in their home like a family member defying the Jim Crow Ettitique of the times. The Carters were all solid anti-confederate Lincoln Republicans. AP's dying words were "Don't vote Democrat" which in 1960 in Virginia meant don't vote Dixiecrat.

Old AP used to delight in the relatively small royalty checks all these songs brought him in the 1950s which he dutifully divided with Sara and Maybelle, even though all the songs were in his name. It is too bad he died in 1960 just before the folk revival brought all these songs back onto hundreds of records by folk singers, then by bluegrassers, then by country Western artists. Those checks would have gotten a lot bigger.

People brought these songs to the Carters, mostly to AP and Leslie Riddle, singing them on their porches, or in juke joints, or often when AP would stop after hearing a rumor that used saw mill parts could be obtained at a good price, something he was obessed with. Some folks did bring them the songs in yellowed old sheet music with crackled paper from the 19th Century, or as pages cut out of poetry books published deep in the past. Some of them would go back stage at the little school house and church shows the Carters did in the mountain towns during the depression and gave an old ballad not sung since their grandparents time. Some of them would request a song that the Carters didn't know, and AP might ask them to sing the tune right then and there.

On top of this, of course, AP Carter had been known since he was a boy for singing songs, teaching singing schools, being willing to walk all day up and down the Southside Virginia mountains to find a good singer or good music. This is how he found Sara Addington, his wife who was a hell of a singer. Then when AP's brother married Maybelle Addington who was known as the best guitar and banjo picker in the valleys around there (and no slouch on the fiddle and mandolin too)since she was a teenager (and she was only 18 when the Carters began recording) they were set. This may have been a plot, because a lot of the time AP would go up and over the mountains up and down walking all day to court a reluctant Sara, she would be sitting in the parlor singing or playing the autoharp, or learning guitar chords, along with her cousin Maybelle's guitar, banjo, or fiddle.

AP Carter was the real song catcher. These were a few of the hundreds of songs he caught, a few that were written by himself, Sara, and Maybelle.

So this is, in fact, an encyclopedia of the songs that were sung by Black and white working folks, farmers, musicians, rounders, up and down the mountains of Viriginia, North Carolina, Tennessee, and Kentcuky and the songs migrants took with them to Washington and Detroit. This is a treasure trove for anyone wnating to return to the lost world of those people, or to find songs from those years that speak to our lives and problems. Besides they are pretty good to listen to!

One good thing about this collection is that you hear a lot of the tunes they did in finger picking and slide guitar styles that Maybelle learned from Leslie Riddle. A lot of modern performers do them just flat picking, or the thumb and strum style Maybelle is best known for.

At this price, everyone with ears needs this.

92 of 93 found the following review helpful:


Unbelievable value!  Jun 07, 2002 By P. Bryant
This is one of those stunning bargains which leaves you with gaping jaws and a big smile, if that's possible. For the price of TWO cds you get FIVE instead, all packed with 70 plus minutes of Carter Family gems, all in chronological order, and with fabulous sound quality which is BETTER than the American Rounder releases (and those releases only have about 45 minutes of music - I know, I bought some of them!). Can this really all be true? YES! It's true. The only thing you don't get in this dirt cheap box set is decent sleeve notes, but I'm not going to complain!
As for the actual music, it's unmissable early country music sung and played by Sara and Maybelle Carter with the help of A P Carter, husband of Sara. It has a deep magic about it - try a few if you never heard them, they'll hypnotise you. The harmonies are splendid, the guitars are luminous, it's pure like a mountain stream. You cannot go wrong with this one!

54 of 55 found the following review helpful:


A Veritable Gold Mine, Dirt Cheap!  Dec 26, 2005 By James Morris
As a Christmas present to myself, I purchased the two JSP boxed sets, The Carter Family, 1927-1934 and The Carter Family, Volume 2, 1935-1941. I have been playing them non-stop for the past four days, and I am absolutely thrilled with both of them.

The RCA Victor sides were issued "complete" a few years ago by Rounder records. The Rounder releases are supposed to be re-mastered, yet they don't sound any better than the tracks presented in the JSP collections. And the JSP collections include complete information on the original recording dates, which the Rounder releases do not. Finally, one reviewer here observed that the sleeve notes for the JSP Box sets are minimal; that's true, but when compared to the Rounder releases, I find that the JSP releases actually proffer a bit more biographical information, and better details on the records.

The first set (1927-1934) pretty much covers almost all of the original Victor sides; I have carefully compared the first set with the Rounder series (I have all nine titles in the Rounder releases) and I have only found two or three tracks that are missing from the JSP sets. This is The Carter Family, country music's first family, as they should be heard. Sara's singing is strong and clear; Maybelle's guitar playing is amazing, and A. P.'s harmonious accompaniment is wonderful. The early years are raw and unpolished, but that adds to their aesthetic artistry, and actually enhances their simple charm.

But Volume 2, (1935-1941) is truly exciting for the bulk of material that has not been available of CD before. This box contains the balance of the RCA Victor sides not included in the first set, but also includes dozens of later recordings originally issued on the ARC and Decca labels (Decca owned both). These recordings are completely glorious, and floored me when I heard them (and I've been a fan of "roots" music for many years). The sound is amazing, and the performances, both in terms of instrumental skill and vocal harmony, are far more polished than the early Victor sides. Aside from an MCA (Decca) issue in the "Country Music Hall of Fame" Series and an issue from Sony Special Products on the Country Label, these songs have been totally neglected as CD issues. Between the two JSP sets, the material covered represents about 90% of the original Carter Family records that I am aware of, although there may be many more that are lost forever. This is not likely to be corrected anytime soon. Decca Records is notorious for neglecting to reissue historic recordings, which is a real shame. I wish I had a dollar for every artist I have on a Decca vinyl that has not seen a CD release. Decca has released many historic Jazz recordings on the "Decca Jazz" label, but aside from the Country Music Hall of Fame series (a limited anthology series) it has not seen fit to issue much of the classic country music rotting in its vaults. And there are probably thousands of wonderful popular music recordings in Decca's vaults that may never see the light of day on CD, either. Concurrent with these recordings, the Carter Family also spent years performing live concerts on "border radio". Many transcripts of these fine performances were made, and a few have been made available on obscure labels. But the JSP sets contain most of their studio sessions.

For anyone who doesn't know, the original Carter Family practically invented country music. Sara and Maybelle, who were cousins, married the Carter brothers, A.P. and Ezra, and a musical family was born. They found their way to the 1927 "talent auditions" conducted by Ralph Peer, which also "discovered" Jimmie Rodgers, the Father of Country Music. I often say that if Jimmie Rodgers was the father, than the Carter Family were the mothers. The original group (Sara, Maybelle and Alvin Pleasant) split up in 1941, never to record together again (aside from the wonderful "Historic Reunion" album that Maybelle and Sara recorded in 1965). For many years, Maybelle continued to tour and record with her daughters, June Helen and Anita, under the name of the Carter Family. Of course, June later married Johnny Cash, who toured with June for years; this association helped keep interest in the Carter Family legacy alive for many years.

I have to honestly say that I can't remember when I last enjoyed a boxed set so thoroughly. The simple, pure singing of the original Carter Family is truly wonderful. Their harmony is amazing, their playing incredible. One is always conscious while listening to them that these are self-taught musicians, yet their professionalism is obvious. As I write these words, my stereo is pouring forth their 1935 version of Are You Lonesome Tonight, a song that became a multi-million seller for Elvis Presley 25 years later. I prefer the Carter Family version. You may too.

38 of 38 found the following review helpful:


Musical History  Oct 29, 2002 By Royce R. Sillavan
I read the book "Will You Miss Me When I'm Gone?" by Mark Zwonitner which is an outstanding history of the Carter Family. The Original Carter Family broke up when I was 5 years old so I had only heard very little about the Orginal Family but became very familar with Mother Maybelle and her daughters. After reading the book I shopped around and found this 5 CB set of the remastered RCA recordings. By the time you get to the #5 CD you fully understand what an impact the folks had the music industry. A.P., Sara, and Maybelle probably never realized how good they were at the time these songs were recorded. All these recording were done with primitive equipment and I would imagine most all were done on one take using a single microphone. There are several songs included in these recording that will absolutely knock your socks off if you listen to them a couple of times and listen closely. If you enjoy the music of Hank Williams, Merle Haggard, Johnny Cash, Roy Acuff and other legends do yourself a favor and get the Carter Family RCA recordings.

21 of 21 found the following review helpful:


Real Music, Dirt Cheap!  Dec 26, 2005 By James Morris
As a Christmas present to myself, I purchased the two JSP boxed sets, The Carter Family, 1927-1934 and The Carter Family, Volume 2, 1935-1941. I have been playing them non-stop for the past four days, and I am absolutely thrilled with both of them.

The RCA Victor sides were issued "complete" a few years ago by Rounder records. The Rounder releases are supposed to be re-mastered, yet they don't sound any better than the tracks presented in the JSP collections. And the JSP collections include complete information on the original recording dates, which the Rounder releases do not. Finally, one reviewer here observed that the sleeve notes for the JSP Box sets are minimal; that's true, but when compared to the Rounder releases, I find that the JSP releases actually proffer a bit more biographical information, and better details on the records.

The first set (1927-1934) pretty much covers almost all of the original Victor sides; I have carefully compared the first set with the Rounder series (I have all nine titles in the Rounder releases) and I have only found two or three tracks that are missing from the JSP sets. This is The Carter Family, country music's first family, as they should be heard. Sara's singing is strong and clear; Maybelle's guitar playing is amazing, and A. P.'s harmonious accompaniment is wonderful. The early years are raw and unpolished, but that adds to their aesthetic artistry, and actually enhances their simple charm.

But Volume 2, (1935-1941) is truly exciting for the bulk of material that has not been available of CD before. This box contains the balance of the RCA Victor sides not included in the first set, but also includes dozens of later recordings originally issued on the ARC and Decca labels (Decca owned both). These recordings are completely glorious, and floored me when I heard them (and I've been a fan of "roots" music for many years). The sound is amazing, and the performances, both in terms of instrumental skill and vocal harmony, are far more polished than the early Victor sides. Aside from an MCA (Decca) issue in the "Country Music Hall of Fame" Series and an issue from Sony Special Products on the Country Label, these songs have been totally neglected as CD issues. Between the two JSP sets, the material covered represents about 90% of the original Carter Family records that I am aware of, although there may be many more that are lost forever. This is not likely to be corrected anytime soon. Decca Records is notorious for neglecting to reissue historic recordings, which is a real shame. I wish I had a dollar for every artist I have on a Decca vinyl that has not seen a CD release. Decca has released many historic Jazz recordings on the "Decca Jazz" label, but aside from the Country Music Hall of Fame series (a limited anthology series) it has not seen fit to issue much of the classic country music rotting in its vaults. And there are probably thousands of wonderful popular music recordings in Decca's vaults that may never see the light of day on CD, either. Concurrent with these recordings, the Carter Family also spent years performing live concerts on "border radio". Many transcripts of these fine performances were made, and a few have been made available on obscure labels. But the JSP sets contain most of their studio sessions.

For anyone who doesn't know, the original Carter Family practically invented country music. Sara and Maybelle, who were cousins, married the Carter brothers, A.P. and Ezra, and a musical family was born. They found their way to the 1927 "talent auditions" conducted by Ralph Peer, which also "discovered" Jimmie Rodgers, the Father of Country Music. I often say that if Jimmie Rodgers was the father, than the Carter Family were the mothers. The original group (Sara, Maybelle and Alvin Pleasant) split up in 1941, never to record together again (aside from the wonderful "Historic Reunion" album that Maybelle and Sara recorded in 1965). For many years, Maybelle continued to tour and record with her daughters, June Helen and Anita, under the name of the Carter Family. Of course, June later married Johnny Cash, who toured with June for years; this association helped keep interest in the Carter Family legacy alive for many years.

I have to honestly say that I can't remember when I last enjoyed a boxed set so thoroughly. The simple, pure singing of the original Carter Family is truly wonderful. Their harmony is amazing, their playing incredible. One is always conscious while listening to them that these are self-taught musicians, yet their professionalism is obvious. As I write these words, my stereo is pouring forth their 1935 version of Are You Lonesome Tonight, a song that became a multi-million seller for Elvis Presley 25 years later. I prefer the Carter Family version. You may too.

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